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Valda Napangardi Granites / Mina Mina Dreaming
46cm x 30cm Acrylic on CanvasView more from artist
46cm x 30cm Acrylic on Canvas
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Ochre / Kimberley artworks are shipped on canvas or linen, already stretched, ready to hang unless stated otherwise.
Acrylic artworks are shipped on canvas or linen un-stretched, rolled up in a cardboard tube unless stated otherwise.
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Artwork is accompanied by Warlukurlangu Artists (Yuendumu) Art Centre Certificate of Authenticity / Provenance
Valda Napangardi Granites is the grand-daughter of the late Paddy Japaljarri Sims (1916 – 2010) and Bessie Nakamarra Sims (1932 – 2012), two founding artists of Warlukurlangu Artists. Valda was born in 1974 in Alice Springs and grew up in Yuendumu, an Aboriginal community located 290kms north-west of Alice Springs, where she still lives. She attended the local school. Valda has been painting since 1993.She paints the Jukurrpa (Dreaming) stories passed down to her by her mother and father and their parents before them for millennia. These are creation stories which closely relate to the features and animals found in her family’s traditional lands. Valda is married and has one daughter. She worked with the Yuendumu Old People’s program before resigning to look after her daughter.
Mina Mina is the area or country this painting is depicting. It is far west of Yuendumu and is very important to the Napangardi/Napanangka women. These women and their Japangardi/Japanangka brothers, are the custodians of the Jukurrpa that created the area. This story (Dreaming) tells of the journey of a group of women who travelled east gathering food, ngalyipi‟ (snake vine) and performing ceremonies as they journeyed. The ‘ngalyipi’ vine grows up the trunks and branches of the ‘kurrkara’ (desert oak trees). ‘Ngalyipi’ is a sacred vine to Napangardi and Napanangka women that has many uses. It can be used as a ceremonial wrap, as a strap to carry ‘parrajas’ (wooden bowls) that are laden with bush tucker and as a bandage for headaches.
The women began their travels at Mina Mina where karlangu‟ (digging sticks) emerged from the ground. Taking these tools the women travelled east creating Janyinki and other sites. Their travels took them eventually further than Warlpiri country. The women used the karlangu‟ to gather bush tucker on their travels. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, connected sites and other elements. The main theme used in paintings of these Dreaming are the karlangu‟
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